This unique online gallery opens up to you nearly 500 pieces of my work spanning my 27 year career as a carver and sculptor.
PM in an oval:
The first hallmark on a piece shows “the maker”. The Patrick Mavros mark is registered at the Assay Office in the Goldsmiths’ Hall in London.
The Sterling Silver Mark of Zimbabwe:
This mark depicts a Sable antelope head within a triangle. The mark was originally awarded to the Colony of Southern Rhodesia in 1923.
The Date Stamp:
The English Date Stamp is always in the form of a letter of the alphabet. The year 1999 was a “Z” and the year 2000 was an “A”.
The Millenium Celebration Mark:
This mark was produced specifically for the Millenium and it depicts a cross with the figures 2000 across the four ends of the mark.
Mavros is an incurable storyteller and a full-blooded bon vivant as well as a master sculptor. That’s partly why his creations communicate so well. The gift of storytelling is perhaps inherited from his Mediterranean ancestors – but as a fourth-generation Zimbabwean, Patrick Mavros is most at home in the African bush.
Born and raised in Matabeleland (the wild, western province of Zimbabwe), the young Patrick developed a deep affinity for its wildlife, particularly the birds of prey. Like many an artist before him, he strove to capture the form and essence of the birds and animals on paper – as evidenced by his boyhood sketchpads.
Adulthood, however, laid out a more prosaic career for Patrick, and he became first a baker, then a soldier. Fortunately fate, in the classic tradition, smiled upon the young man and he met, wooed and won his wife, Catja Halsted. The petite, warm-hearted Catja became the pivotal influence that was to set Mavros on his path to becoming one of the world’s most accomplished sculptors.
Patrick, newly-wed and wanting to give Catja an original and personal gift, carved a pair of earrings from a small piece of ivory in the form of roses, her favourite flower. Catja was not the only one delighted with the earrings – soon Patrick was inundated with requests from friends for similar pairs to be created. And so it all began.
Mavros developed his own unique sculpting technique, using innate artistic skills and his acute eye for detail and essence. The more he worked, the more he was inspired to try more ambitious subjects. He experimented with various tools and materials, and, with the encouragement of his wife and family, was soon involved in his own full-time business.
Most of his early pieces were one-offs, carved from ivory, his preferred medium. However, to meet growing demand and develop a more environmentally-sensitive product, he studied and adopted the age-old art of lost-wax casting, whereby a mould is used only once. This method ensures that every detail of the original is present in the casting, and that each resulting piece is individually hand-made. He decided on silver as a material in order to express both the precious nature and essential purity of his subject – wildlife.
As the Mavros reputation grew, so did his range; after twenty five years it comprises over 450 individual items from – literally – ants to elephants. Each of these creations has its own unique story, adding considerably to its charm and ultimately, value.
Today, with Catja and his four sons, a slightly eccentric collection of pointers, spaniels, African Grey parrots, horses and friends – not to mention a state-of-the-art silversmithing workshop on a tree-clad estate in the hills, Patrick Mavros is an artist at the height of his creative maturity.
Although he commands considerable respect from collectors worldwide, Patrick Mavros continues to keep a close personal involvement with the sale of his creations and the people who purchase them. For the mogul or mechanic, the artist is genuinely approachable, a gregarious, interesting man who enjoys nothing more than welcoming you himself, while showing off his collection and the wonderful environment he has created to house it.